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Entries associated with the tag "Jonathan Rosenbaum":

July 14th - 2:21 p.m.
The new issue of Film Comment includes a comprehensive piece on Portuguese filmmaker Manoel de Oliveira by Reader contributor Jonathan Rosenbaum. Coincidentally, the Gene Siskel Film Center is in the middle of an Oliveira retrospective, which continues through July with Day of Despair (7/14), Rite of Spring (7/16), Doomed Love (7/19, 7/22-23), Inquietude (7/25, 7/29), and the director's latest, Christopher Columbus, the Enigma (7/27, 7/31).
April 30th - 12:41 p.m.
This Sunday at 3 PM Facets Cinematheque will host a Cinechat with Jonathan Rosenbaum on the occasion of his departure from the Reader. Too late—he's back! The new issue, posted online Thursday, features Jonathan's four-star review of Alain Resnais' Last Year at Marienbad. On Saturday he'll speak about the film at Music Box between the 2:45 and 5 PM screenings. And if you hustle you can still make it to his 6 PM lecture at Film Center on Jacques Tati's Playtime; it concludes his course "The Great Transition: World Cinema in the 1960s."
March 11th - 2:14 p.m.
WGN Radio has posted a link to Nick Digilio's March 1 interview with Jonathan Rosenbaum.
January 3rd - 3:10 p.m.
Jonathan Rosenbaum reports in his year-end piece that he turns 65 and plans to retire at the end of February. He won't be disappearing from the Reader, but as he notes, he'll be shedding the most onerous tasks of film reviewing. His successor as chief critic won't surprise anyone: J.R. Jones has more than earned the post.
October 16th - 2:42 p.m.

Variety critic Todd McCarthy will appear at River East 21, 322 E. Illinois, on Wednesday night for a 6:45 PM screening of his new documentary Man of Cinema: Pierre Rissient. Presented by the Chicago International Film Festival, the screening was confirmed after the official CIFF schedule was printed and after we published our last installment of festival coverage, but Jonathan Rosenbaum's review follows:

"Sometimes the most powerful and influential people are protected by their relative obscurity, and it's hard to think of a better illustration of this principle in the film world than the multifaceted, eccentric, controversial Pierre Rissient, whom I've known for 35 years. Among other achievements, he's probably discovered more important filmmakers than anyone else I know—figures ranging from Cy Endfield to Lino Brocka to Jane Campion to Abbas Kiarostami. It takes most of Todd McCarthy's well-used 110 minutes in this lively documentary to explain all the creative, behind-the-scene activities Rissient generates in relation to criticism, filmmaking, distribution, exhibition, and programming, and even though this is mainly the sympathetic view of a friend, the portrait is complex and nuanced. Among the many interviewees, Olivier Assayas is especially perceptive when he describes Rissient as being like a teenager."

December 19th - 6:02 p.m.
A new article on Variety's Web site salutes the Reader's Jonathan Rosenbaum as a member of "film criticism's greatest generation" -- a group whose productivity "would put younger colleagues to shame."



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