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On the left, that's "a spandrel on the southern facade of the Palazzo Ducale, Venice,"  to  quote the February 14 issue of The New York Review of Books, which ran this picture the other day, curiously enough illustrating an essay on the late scientist Stephen Jay Gould. It turns out Gould had a thing or two to say about spandrels.

And on the right, a head shot of Chicago's own Picasso that ran in the February 4 Sun-Times. The caption noted that "some have guessed the sculpture . . . is a horse, an Afghan hound or a Viking Ship." Or had Picasso been thinking about Venice?


Comments
(please read our policy)
so-called "Austin Mayor"
February 12th - 8:27 a.m.
MM,

I presume there is supposed to be a photograph somewhere in this post.

Either you failed to post the picture or I need a CAT-scan.

-- SCAM
Tim Howe
February 12th - 1:02 p.m.
I, for one, will refrain from speculating on the sources of inspiration drawn upon by genius. Which of course is different from deciding what it means to me.

And what it means to me has changed over the years, I like "our" Picasso. I was among the minority who liked it the first time I saw it. Whatever influenced Pablo (and perhaps it was "all of the above") when he created it, I'm glad for the spark or sparks.
Picasso - The secret
February 13th - 12:05 p.m.
I figured out the secret to seeing the "woman" that the Picasso sculpture is supposed to be. It hit my one day as I was walking past it on my way to the gym...

Stand behind the Picasso on the left or right at an angle (maybe 45 degrees?).

There's your woman.

It only took me more than 30 years to figure this out. Duh.
Baper
February 13th - 12:58 p.m.
people...
http://www.galerieart.cz/picasso_vystava_dalsi_pra...
scroll all the way down.
it's a baboon.



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U.S. Appellate Judge Richard Posner's influential opinion in McKevitt v. Pallasch (2003) telling those journalists and judges they were wrong -- there is no such privilege.

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