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The debate is raging over this week's notorious New Yorker cover of Barack and Michelle Obama, but here in Chicago we've been there, done that. There's a world of difference between Barry Blitt's drawing of the up-and-comers in Islamic and revolutionary regalia and Mirth and Girth, David K. Nelson's 1988 acrylic painting of Harold Washington in a woman's undergarments: Blitt's trying to ridicule Barack Obama's more rabid opponents, while Nelson was trying to knock the recently deceased mayor's more rabid glorifiers. 

But their works have this much in common. They've made people furious. And each works better as an idea than as an executed picture. As Clarence Page said in the Tribune Wednesday about Blitt's cover -- "When it takes you too long to figure out whether a joke is funny, well, forget about it." I've never been able to persuade myself that Nelson's painting wasn't dumb (I've tried), and I'm still looking for ways to decide that Blitt's is witty.

The David K. Nelson controversy was a major chapter in our city's hysteria-packed history, an episode that began with black aldermen under police escort commandeering a painting from the School of the Art Institute and ended six years later with a withering decision in U.S. Appellate Court and an out-of-court settlement to Nelson. In his 1994 opinion Judge Richard Posner noted that after a day in police custody the painting was released to Nelson, "we assume on its own recognizance."

Mirth and Girth wasn't the last time David K. Nelson stirred up trouble in Chicago. In 1991 he made a cartoon for the Reader's year-in-review issue that was pretty funny. It showed Alderman Dorothy Tillman as a paper doll in skivvies trying to decide what to wear, a "feminine yet subtly persuasive" outfit accessorized by a revolver or something a little more rugged accessorized by a submachine gun and matching ammo-clip bandolier. (Tillman had reportedly waved a gun at a community meeting.) "Help Dress Dorothy," we called the cartoon.

To make a long story short, here's the column I wrote three weeks later, after the chairman of the state Democratic Party had urged his party's candidates not to advertise in this newspaper. And here's my column the week after that, meditating on the demonstration against the Reader that I'd watched from an office window.


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Comments
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Albert Williams
July 20th - 4:12 p.m.
Two thoughts on the New Yorker Obama cover: (1) As offensive as many found David Nelson's picture of Mayor Washington in panties, there is a qualitative difference between calling someone a drag queen and calling him a terrorist, which is what some people thought the New Yorker picture did. Of course, as Miner points out, the target of the New Yorker cover was Obama's foes who are spreading rumors that he's a Muslim. But satire doesn't always come across as satirical unless it carries a big sign saying "this is meant to be ironic!"
Having said that, left-leaning media pundits went way overboard condemning the New Yorker without providing proper context, like the title of the drawing (printed inside the magazine) or the fine article about Obama's Chicago political training that ran inside the magazine. Luckily, people don't depend on the self-righteous outrage of people like MSNBC's Keith Olbermann and Chris Matthews for information -- they'd prefer to make up their own minds.
Oh yeah -- the magazine sold out in two days at every Borders and Barnes & Noble I called.



The News Bites blogroll
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Branzburg v. Hayes, the split U.S. Supreme Court decision (1972) generally construed by journalists and judges alike as affirming some sort of reporter's privilege in federal courts.

U.S. Appellate Judge Richard Posner's influential opinion in McKevitt v. Pallasch (2003) telling those journalists and judges they were wrong -- there is no such privilege.

John Milton's Areopagitica (1643), one of the earliest and most eloquent arguments for a free press. Said Milton: "As good almost kill a man as kill a good book; who kills a man kills a reasonable creature, God's image; but he who destroys a good book, kills reason itself, kills the image of God, as it were in the eye."

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