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By Peter Margasak | RSS | Archive | Search

Entries associated with the tag "Okka Disk":

November 7th - 4:06 p.m.

On Saturday the Sun-Times ran a small item about a man who had set himself on fire during rush hour Friday morning near the Ohio Street exit on the Kennedy. His identity has still not been officially determined, but members of the local jazz and improvised music community say they are certain it was Malachi Ritscher, a longtime supporter of the scene. Bruno Johnson, who owns the free-jazz label Okka Disk, received a package yesterday from Ritscher that included a will, keys to his home, and instructions about what should be done with his belongings. Johnson, a former Chicagoan who now lives in Milwaukee, began making calls. Police are still awaiting the results of dental tests, but Johnson says an officer told one of Ritscher's sisters that all evidence pointed to the body being his; his car was found nearby and he hadn't shown up for work since Thursday. 

Buried on Ritscher's web site Chicago Rash Audio Potential, a compendium of invaluable show postings, artwork, and photography, are a suicide note and an obituary. Both indicate that he was deeply troubled by the war in Iraq and pinpoint it as a motive for suicide (no method is specified), though there are indications that he may have had other issues as well. "He had a son, from whom he was estranged (at the son's request), and two grandchildren," reads the obit. "He had many acquaintances, but few friends; and wrote his own obituary, because no one else really knew him." Ritscher was a familiar face at antiwar protests, and he was arrested more than once for his involvement, including this time this past May. A note found at the scene of the immolation reportedly read "Thou Shalt Not Kill." 

Although Ritscher, who was in his early 50s, had played music off and on over the years, he was best known for his devotion to documenting other people's shows. Several nights a week for at least the last decade he could be found at places like the Empty Bottle, the Velvet Lounge, and the Hungry Brain; by his own count he recorded more than 2,000 concerts. Over the years he invested more money in equipment and as his skills improved, many of his recordings went to be used on commerical releases--by Paul Rutherford, Gold Sparkle Band, Isotope 217, Irene Schweizer, and Ken Vandermark among others. Ritscher was fiercely modest about these pursuits--I once tried to do a piece on him for the Reader but he declined, saying he didn’t want publicity.

Feel free to contribute your own comments or memories below.

Photos courtesy of Joeff Davis

August 25th - 5:22 p.m.

Reedist Ken Vandermark presented the latest installment of his long-running Territory Band last night at Millennium Park's Pritzker Pavilion. It was an impressive concert, revealing the international ensemble as one of Vandermark's most rewarding and exciting vehicles; his episodic writing and meticulous arranging does a masterful job of sparking a variety of improvisational situations.

Things like instrumental combinations, rhythm, and color can’t be isolated from the composition in which they’re embedded, but the performance allowed discrete elements to emerge. A passage that featured only bassist Kent Kessler and Swedish tuba player Per-Ake Holmlander put the focus on low-end sounds, as the bass bounced and the horn blubbered in some gloriously gut-rumbling statements. Each section of the set-length piece flowed nicely into one another—an area where Vandermark is improving—but the real satisfaction was in getting absorbed by each one of them.

Fred Anderson was the featured soloist, and it's to Vandermark’s credit that he challenged one of his biggest heroes by putting him in unfamiliar settings: it’s a sure bet that the veteran tenor saxophonist had never dueted with the kind abstract electronics that Norway’s Lasse Marhaug produced. Anderson has an unflappably patient, deep-toned style, ruminating over the subtlest intricracies of a given phrase, and Vandermark presented some frenetic sections that created a nice tension while set against Anderson's playing. The concert was recorded for future release on Okka Disk Records, the former Chicago imprint that’s issued all of the Territory Band recordings, including the brand new 3-CD effort by Territory Band-5, A New Horse for the White House.




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